Blurry borders and authors who cross the line.

Sometimes, it’s the border that crosses us.

Photo by Imre Tömösvári on Unsplash

Salman Rushdie knows a lot about borders. His books explore the concept of borders; he’s lived them. The recent knife attack on Rushdie in New York reminded us that — to paraphrase the author — we don’t cross borders; sometimes it’s the border that crosses us.

On a side note, I featured Rushdie’s other classic, Midnight’s Children, in a podcast about writing, if you’re interested. I met Rushdie at an event in California in 2004. He had just published a book, a collection of stories and essays, titled ‘Step across this line.

Borders are funny things. Just lines on the map, arbitrary, contestable, often inconvenient. Dotted lines that someone drew, and the rest of us are asked to observe. A canal here, a fence there, a dried up river bed, a train station. What happens to us when we step across one of these lines? First, nothing. Twenty feet this way, or that, nothing seems very different. Cactus spikes glowing in the strobe light on a truck. Barbed wire. Plastic bags billowing like ulcers on neglected shrubs. I’ve seen my share.

‎Listen to “Step Across This Border” On Apple Podcasts: podcasts.apple.com

I recall a border crossing on a train between Germany to Czechoslovakia as it was then called. Border guards in trench coats with heavy guns tapped on our compartment. Routine passport check. Very intimidating. Especially late at night when you didn’t know exactly where –meaning which side of the border — you were.

The reality is, once you cross, you are now in a different jurisdiction subject to new laws whether its speed limits or what you might have in your carry-on. People across the ‘line’ always seem to notice you are different. The way you hold up your head, your dress, your accent.

I’m not sure if this is your experience but scary border guards notwithstanding, there’s something else at work. People on the other side tend to be folks welcoming of strangers. Perhaps (a) they were once in your shoes, with no carry-on bag; (b) you are a curiosity that adds color — currency even — to their humdrum existence; (c) human beings are born to be social animals. Sure, I’m being optimistic. But at least it used to be that way.

It’s not just them. Something else happens to you. Inside. You feel the need to assimilate. To not suck up too much oxygen. To appreciate otherness. To not be the obnoxious tourist.

Any immigrant knows first hand. As a foreign student in London, my buddies were from Malta, Fiji, Seychelles, and Ethiopia. They had crossed many borders to get there. When we crossed into Northern Ireland, a region that was violently fighting the British at that time in the 1980s, there were a new set of borders to consider, even while we were technically in the same country. To say it was tense, even for our English chaperones is to put it mildly. Especially the part known as ‘Free Derry’ where fierce battles had once raged. (Remember that term ‘Bloody Sunday’?) But even in that porous border, we could walk through like locals because the locals seemed to want to have us there. At night, we could hear on radio that IRA bombs went off in the area where we were, a few blocks away.

I still think about borders, but now in a different light. Despite our accents, and varying skin colors, the borders we cross don’t have to get between us. For those of you too young to remember, Rushdie ruffled feathers. Apart from the geographical borders he crisscrossed, he crossed a line — someone’s line in the sand –when he published a book, Satanic Verses in 1998. The regime in Iran considered the book blasphemy and promptly issued a global death threat or ‘fatwa’ against him.

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So my question to you is, what borders, what lines might you have crossed in the past few months? At school in our daily morning assembly we call ‘Opening Ceremony’ our hosts often bring up topics like this. Inclusiveness. A tough value to put into practice. It’s such a cliche now to even say the world is more divided now. Especially when you consider that it’s some 50 years after the Internet sold us on the promise to unite us. There are new borders people draw around themselves. To paraphrase another Opening Ceremony host, instead of defining our borders, we could be creating and expanding ‘circles of influence.’

One Podcast experiment worth listening to

Podcasts often tell stories. Even when it’s a podcast about an event such as Brexit, or analyzes a controversial idea. I remember, back in 2010, the podcasts I listened to were elaborate stories, whether it was about the media, or even an emerging area of sustainability. One podcast that has stuck with me over the years was This American Life, hosted and produced by Ira Glass. It was always divided into Act One, Act Two etc., and the story within the story created a colorful quilt.

No wonder Ira Glass won the first Pulitzer for a podcasts about immigration called “The Out Crowd.” It was all about documenting “the emotional truth” by weaving it into “stories around characters and scenes and story arcs…” It is exactly how the best podcasts are made. To a large extent, podcasts are a work in progress. An experiment with audio using a medium (sound recording) that has existed for more than a hundred years. This American Life declares: “We view the show as an experiment. We try things.”

The best example of an experiment was how one of its shows was turned into a live musical by Lin-Manuel Miranda! Even as the pandemic shut many doors, podcasting strolled in through the side entrance, let out the stale air of traditional media, and is causing a renaissance in storytelling. Watch this. No Listen to this!

Trust me – it will revise anything you’ve thought about the ‘spoken word.’

Planning a school podcast, 11 years later

I have been working on material for a podcast at school in the past few weeks. It’s an opportune time to do it, with so much to discuss in education, especially with millions of students rethinking ‘school’ in the middle of a pandemic.

Ever since I re-discovered my 2009 podcasts, I’ve felt pull to get out that microphone and fire up the recording app! The tools make it so much easier. Here are some ideas to start up:

Recording:

  • Audacity, open-source software is free to download. It’s also super intuitive –easy to use.
  • Hindenburg This is professional-grade software. More complex, but serious features!

Now for mics.

  • I have a trusty old mic that does look like it was from the nineties, and it is. Quality is great but not too much base.
  • I am experimenting with a lavelier (clip-on) mic we were  given for our distance learning video recordings. I found an adapter on Amazon, which plugs directly into a PC.
  • Zoom. I consider the ZoomH4N the best. I used to own one. It has a curious shape, but voice quality is terrific with 2 uni-directional mics

Intros/Outros

Unlike in 2009, there is plenty of podsafe –Copyright free–music available. But it is highly recommended you support the artists with a small contribution. Nothing should be free, in this economy!

Radio days! Podcasts back with a vengeance!

In case you’ve not noticed the podcast landscape had changed. I’m so glad this genre – audio story-telling –has survived in a digital age that at one time seemed to gravitate toward video, slapstick entertainment, and uninformed opinions.

These are highly-researched, well-produced shows – not just opinionated rants. 

Here are a few:

Code Switch – Fascinating takes on race and identity

Rough Translation – A great way to escape the echo-chamber!

The Hidden Brain – Shankar Vedantam’s insight into human behavior

The Tip-Off – Peeling back investigative journalism, by Maeve McClenaghan of London’s Bureau of Investigative Journalism

 

Some older podcasts still give the newbies a run for their money. Those such as:

  • This American Life – Ira Glass’ extremely topical take on all things social, political, personal
  • Invisiblia – Gripping tales and insights about the forces that shape us.

 

Podcasting is hot stuff. Again!

There seems to be a growth spurt for podcasting.

I love the fact that the audio format has been on the upswing, even despite the explosion of screen-based communication options. Depending on who you ask, they will tell you video didn’t assassinate the radio star for various reasons. Such as

  • Podcasts is immensely portable, and does is perfect for multi-tasking
  • Podcasts capture the ‘authentic’ voice of the person or the moment being represented – no fake ‘DJ voice’ required
  • Podcasts have in their DNA something akin to long-form journalism – deep dives into content, rather than skimming a topic

  • Podcasts lend themselves to drama, even while being authentic. The nearest thing to the documentary.

My recent favorites are Snap Judgement, Serial, Invisibilia (former radio Lab producers), and Star Talk.

Apart from the usual line up of This American Life, For Immediate Release, and EdReach, an education podcast for Ed-tech matters I now dabble in.

 

Interestingly this year will be six years since I first got into podcasting. And this year may be the year we begin podcasts at my school. More on this in a later post!

“This is Salt River Radio!”

Audio is a powerful medium. Overlooked, but extremely powerful.

While video gets all the attention, audio programs –basically podcasts — have been steadily growing recently. This week, I began the new semester by upping the ante for 5th and 6th grade students, showing them how to become producers of content. To start off, I got them to think of themselves as owning their own radio show. A news show, a sports show, or a show about events in the community.

How do they plan and create content? What are the elements of a good show? Good information? A nice pace? A strong personality? Music? Sound Effects?

I plan to use some of my prior radio experience to get students to create their ‘shows.’
Audacity-2.0.png
The software we will be using is Audacity, which is really powerful software. All computers in the Computer and Technology Lab are now loaded with Audacity, and we just got started understanding how  tracks and buttons work, and how to export an editable audio file, to work on it as we move along.

I’m sure you’re wondering: how could digital natives get so excited about ‘old media’? You would be surprised!

‘Salt River Radio’ is the tip of the spear of something bigger I have in mind. I am also looking for input from anyone with radio experience, who would like to be a part of this project, either as a guest instructor, or otherwise.

Stay tuned, if you’ll pardon the pun.